He who makes a beast of himself relieves himself the pain of being a man.
Hunter S. Thompson
I wouldn’t say I feel the “pain” of being a (hu)man but there’s definitely a lot to process on a daily basis normally — not to mention in times of chaos on uncertainty.
This is why I make sure to find the time to turn off that part of my brain and decompress. While I think meditation is an effective way to manage that generally feeling of being overwhelmed, I am not a person who meditates in the “normal” way.
I’m a high energy person so what I’ve found works for me is massive exertion of energy, usually in the form of an activity that really requires full focus. In my case it’s playing drums or training/competing in some kind of combat sport like boxing or muay thai.
Sometime around 2016, before “The Force Awakens” was released I started on a new music project with my long time (musical) partner in crime Tom Hummer. Several years prior, when we were in a band together called Thoughts of Crossing, we had made a joke about starting a Star Wars-themed band called “The Han Solo Project” and we came up with satirical song titles like “Hoth = Fun”. Once we heard that Disney was going to release a new trilogy AND a ton of other new stories, we decided the idea was worth reviving and that year we released our first album as The Han Solo Project called “The Force Hits Snooze”.
Based on our personalities, our friendship, and the nature of the band we decided to personify ourselves as Han Solo and Chewbacca. I have always been a fan of comics and comic book art so I thought I would take a crack at drawing the album art myself. The first cover was pretty rough so I decided to spend some more time over the next few years learning some more fundamentals of drawing by participating in Inktober and making a habit of drawing a little each day. After attempting to draw some fairly complicated illustrations and some more simplistic ones, I decided that in terms of what I actually like drawing myself, I’d prefer to stick toward the more cartoonish styled illustrations like these — which ended up resulting in our second album cover.
As with any hobby, the way you approach it changes over time as you develop preferences or find efficiencies. With this album, we had a song called “I like your helmet” so I incorporated that into the illustration. For the next album, I wanted to avoid another cover of the two just playing music so I looked to more iconic images of bands and album covers for inspiration. As I was looking through I thought that using something like a famous photo of a band or a very recognizable album cover would save me time and also create an instant sense of familiarity with music fans who are maybe discovering our stuff for the first time— this resulted in the R.A.G.E. or Rage Against The Galactic Empire album cover.
At his point my “process” had become of a mix of gatheting inspiration from our content (the songs, track titles, album title, etc.) and then finding inspiration from bands and iconic images that we love and could relate to. For the next album we knew we would be writing a song about the ridiculous amount of dismemberment in Star Wars so we decided to call it “Admiral Ackbar’s Lonely Limbs Club Band” — inspired by The Beatle’s Sgt. Peppers.
At this point I have a good foundational process for the conceptual piece and am having to borrow less and less from other art or images. I still like using albums or iconic photos to model a cover but I have a bit more freedom in how the characters end up looking/feeling. This year I’ve done two stand alone covers for our singles and a cover for our upcoming album (Self Titled) which was inspired by The Gorillaz self-titled album art.
I use an app on my iPad Pro called “Procreate” to put the art together — mostly because it’s too expensive to buy all of the colors/materials I’d need AND I’m not great at coloring in the lines. I still tend to sketch out concepts on paper and then import them into the app as a starting point. Here’s what that process looks like in the app.
The design approach to this project was unique in that we were designing for a handful of different use cases, knowing they could be configured in an insane amount of ways. We ended up having to take a more component-ized approach for initial styles but still layout a wide variety of pages to really get a sense of how they could fit together.
Until recently, I never really had a chance to play with it as much as I would have liked but over the last week I have been digging in and I have been super impressed.
The first thing I absolutely love is the flexibility in the site design options within the customizer. You can choose from a variety of styles that apply css “themes” to your entire site – fonts, layout, colors, etc. On top of that you can also choose from existing color palettes to personalize everything to your preference or personality.
In case you don’t work in web, the header can be a bit of a pain to play around with because it’s a global element. Making major layout changes can negatively impact some of your page templates and best case scenario you spend a decent amount of time testing global changes.
The Go Theme has several header options that allow you to adjust based on what you need. Different layouts look better with logos vs text titles or menus with dropdowns vs one-dimensional nav.
CoBlocks has over 30 blocks to choose from, which keeps you from being limited as you write or shape your site content. I have been struggling with the core block for columns and recently found out the CoBlocks option is infinitely more flexible. For the most part, you can work about any content element in with this library without having to do anything too hacky.
This definitely isn’t an enterprise-level theme for a company with strict branding guidelines but it’s a very flexible option for small businesses, enthusiasts, and pretty much everyone else.
We recently-ish moved to Urbandale, IA to save my wife from an unnecessary commute. At our old house, we had several large trees in the backyard that we used to set up some fun things for our kids. The new house was an upgrade in many ways, but we don’t have any trees, so we send a lot of our yard toys to live in a box with my in-laws.
If you don’t know this yet, my family is very active. We spend a lot of time outside running, hiking, riding bikes, skating, climbing, and pretty much any other verb you can think of. When COVID-19 hit and things started shutting down we, like many others, found ourselves in a bit of a pickle.
After about a week of sheer insanity, we deemed it necessary to bring the trampoline and other fun things back to life.
Solving the problem of no trees
Major kudos to my Father in-law for helping me out with this, I don’t have much of a background in “wrenching” so I tend to take a “test it out” approach to most things. That being said, building something that needs to support the weight of my kids and their friends required some advice and guidance from a guy who is very good at this kind of thing.
Find a way to set four massive poles up in a way that allows us to configure and reconfigure various play items for different lengths, heights, and in different combinations.
For example – we may want to put the ninja line over the slack line to help the kids get used to the different grips.
Step 1: Figure out what size poles to use
This year my boys turned five and seven. They are what we’d call “sturdy” kids and what I mean by that is that the are both friggin’ tanks. Knowing that we wanted them to use this structure for as long as they want to use it, we knew we needed to think about height.
To establish above ground height, or usable height we first had to figure out how far into the ground we needed to get the poles to feel confident. Without doing a bunch of calculations, we ultimately determined that with concrete anchoring them in, and with the assumption that I could get them set mostly straight, four feet in would ensure enough stability to prevent shifting. Also counting on the ground having been frozen and compacted every year, adding stability as the kids and their friends get bigger.
We ended up with 14′ long poles with 6″x6″ for the length and width. Not easy to maneuver but my Father In-law is also a big/strong guy with a big van so we got them where they needed to be with some sweat and teamwork.
Step 2: Figure out where to dig
There’s a whole thing you need to do before you dig called, “Before You Dig”. You will be asked to answer some questions about why you’re digging and where you want to dig and they will send a team out to mark your yard to show where you’re likely to run into things like gas lines, water lines, or other lines that would be bad to cut.
GET THIS DONE BEFORE YOU DIG
Even with most utilities marked, I ran into random things like our sprinkler system, in ground rain spouts, and old telephone wires. I can’t imagine what I would have run into if I was just guessing.
Step 3: Digging
If you have access to some sort of digging machine, use it. I used post diggers that were just long enough to hit the 4′ mark and it got harder as the handles got closer to the ground.
If you are using a post digger, take the time to focus on keeping it centered and level. You might be able to get away with a slight tilt, or adjust a bit once you’ve poured the concrete in BUT the straighter it is, the easier it will be to make sure it stays that way. This also helps if you’re planning to use the cardboard tubes to help shape the concrete around the post — which brings us to our next step.
Step 4: Set the posts
In retrospect, I wish I would have used wider cardboard tubes to allow for more concrete and more play while the posts were setting. I’ve tested this thing as a 205 lb adult and I’m fairly certain it’s not going to give much/at all but I would recommend planning to use a tube that has a diameter more than 2″ longer than the posts.
It’s worth noting that if you’re digging manually with something like a post digger you should try and make sure the diameter of your hole is pretty close to that of the tube to ensure a snug fit — so all the play happens with the post and concrete within the tube itself.
Once the tube is in the hole you can lift your posts in and then pour your concrete. Knowing that we were dealing with kids who were not going to handle waiting well, we went with concrete that set faster. You’ll mix the concrete in a bucket and then pour it into the tube.
The tube we used was fairly tight to the post which kept it straight but didn’t allow for as much concrete as I would have liked. If you’re using a tube that has a bigger diameter than the post you may have to level your post and check it a few times while it’s drying OR use something like rope or straps to keep it level while it dries.
I recently discovered that while Brightcove has a lot of documentation available for a wide variety of topics, they don’t really dig into limitations of each topic or the specifics in terms of how to really get them working.
They do have a default connection to Google Analytics BUT it’s all done via API so you don’t have a lot of room to customize how you organize or collect your data. In this case, I wanted to capture some custom dimensions tied to taxonomies used on the site. I had our engineering team push those dimensions and values into the data layer to capture but there were no available events to use for triggers and no easy way to force those custom values from WordPress into the API sends heading to Google Analytics.
Nest those values in a customDimensions container.
Other things worth calling out before you start on this:
Brightcove documentation for the GTM plugin provides you with an “Automated” and a “Manual” way to configure it. I found that the automated way is more time consuming and I also hit a wall with getting the script to run because it required Google review and “may take up to three days”. I waited the three days and was never able to run the script so I ended up just using the manual configuration that ended up being simple edits to a JSON file that just lives in the Brightcove player.
Once you have the dimensions and events you need in the data layer it’s a pretty standard setup with GTM. Hopefully, you can use this as a shortcut to getting video analytics in place without breaking a sweat.
Almost a year ago, 10up was approached with an idea to run a lab to help evaluate, test, and establish a set of best practices for hyper-local publishers to optimize their revenue. (10up’s post here)
One of the coolest challenges of this project for me was to step away from the normal project/platform delivery processes and shape a new approach specifically for the purposes of this lab.
We knew going into it that we wanted to be efficient and focus on things that almost any publisher could implement on their own — not fancy technical features that require heavy custom engineering or expensive tools/platforms. Rather than implementing some personalized content recommendation engine, we looked for fundamental best practices like social sharing buttons,lazy loading of ads, sticky ads, AMP implementation, and more.
As we started working through this assessment we quickly got to the question of, “How should we prioritize these items if they don’t have the same level of opportunity for each publisher?”.
While there were some that were black and white like “social sharing buttons” there were a lot of other items that really depended on a mix of metrics to qualify whether or not they were worth ours or the publisher’s time to update or implement.
This is really when things started getting challenging, interesting, and fun.
I worked with my team to come up with some basic “human logic” tied to each publisher’s benchmarks. While it’s not something we could easily automate, the experience of the team allowed us to look at things like the News Consumer Insights reports and simple metrics from Google Analytics to quickly weigh each opportunity on a simple scale – similar to how you would think about t-shirt sizing in agile frameworks — except opportunity as the unit of measurement vs effort.
For example, A publisher may not have had AMP implemented but if they already had high speed mobile pages, strong rankings on mobile organic, and a decent set of rich results, we wouldn’t say it’s a “high” opportunity but would still queue it up as something to test once we had implemented the tactics with the most potential.
We took this approach to an initial cohort of publishers and saw some outstanding results in the first few months. Because we were able to develop an efficient process and leverage collaboration with the publishers, we were able to run through the process with another set up publishers to help provide more supporting data for all of our core tactics.
We launched our first case study towards the end of 2019 and have several more coming, along with a series of webinars to help provide a more interactive forum for publishers and their teams to learn more about specific topics and ask questions.
Stay tuned for the launch of the Ad Revenue Accelerator site with all of our findings and recommendations as well!